Looking East: St Ives Artists and Buddhism
Looking East: St Ives Artists and Buddhism explores the unique relationship between artists working from St Ives during the postwar period and Eastern spirituality.
Once a small fishing village in Cornwall, southwest England, St Ives has long been a hub for artists from all walks since the 1920s. To celebrate the creativity St Ives has nurtured, 3812 Gallery Hong Kong presents works of post-war British abstract artists, with a glance back at the 20s and 30s. Featuring artists from Hong Kong-born Bernard Leach to Peter Lanyon and Wilhelmina Barns-Graham, the exhibition displays mixed-media works from stoneware to oil paintings, sculpture and collage. In doing so, it traces the early conversation between the east and the west in a war-stricken world, particularly how the Buddhist principles advocated by early St Ives artists have inspired works that came after. The exhibition also features an audio conversation between Philip Dodd, one of the curators of this year's Guangzhou Art Triennale and named by Art & Auction as one of the top 100 artworld innovators, and Chris Stephens, a major authority on postwar British art and Director of the Holburne Museum.
WATCH:
In Conversation: On St Ives artists and Eastern spirituality
Toby Treves on Peter Lanyon's Field Landing
ST IVES ARTISTS AND BUDDHISM RECENTLY OPENED AT 3812 GALLERY LONDON, RUNNING UNTIL 3 SEPTEMBER 2022, AND FEATURES ICONIC WORKS SUCH AS PETER LANYON'S HEADWATER. DO NOT MISS IT!
CLICK HERE TO VIEW THE LONDON EXHIBITION
3812 Gallery London installation view
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Wilhelmina Barns-Graham 威廉明娜.巴恩斯-格雷厄姆, Untitled (Tarragona Series)《無題》, 1960
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Wilhelmina Barns-Graham 威廉明娜.巴恩斯-格雷厄姆, April 16th 1961 (Red and Violet) 《1961年4月16日(紅與紫)》, 1961
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Wilhelmina Barns-Graham 威廉明娜.巴恩斯-格雷厄姆, Blue, Black, Red and Orange《藍、黑、紅與橙》, 1964
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Trevor Bell 特雷弗.貝爾, Image with Many Movements《多重動態影像》, 1959
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Trevor Bell 特雷弗.貝爾, As Whites Flight《白之群飛》, 2006
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Alan Davie 艾倫.戴維, The Hiding Place of the Dragon《龍之藏身處》, 1955
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Alan Davie 艾倫.戴維, Entrance for A Red Temple No.4《紅廟入口 No.4 》, 1960
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Alan Davie 艾倫.戴維, Joe's Lucky Dip《祖的幸運一沾》, 1961
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Alan Davie 艾倫.戴維, Transformation of the Serpent No. 3《蛇之轉化 No. 3》, circa 1970
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Terry Frost 泰瑞.佛洛斯特, Red, Black and White《紅、黑與白》, 1963
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Terry Frost 泰瑞.佛洛斯特, Suspended Forms《懸浮之形》, 1967
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Terry Frost 泰瑞.佛洛斯特, Suspended Colour Collage《懸浮的色彩拼貼》, 1968-1970
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Terry Frost 泰瑞.佛洛斯特, Untitled《無題》, 1968
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Peter Lanyon 彼得.蘭永, Anticoli Corrado《安蒂科利科拉多》, 1953
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Peter Lanyon 彼得.蘭永, Headwater《水之源》, 1962
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Peter Lanyon 彼得.蘭永, Field Landing《著陸》, 1964
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Bernard Leach 伯納德.利奇, Early vase 《早期瓶子》, 1923
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Bernard Leach 伯納德.利奇, Plate 《盤》, 1930
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William Staite Murray 威廉.史黛特.莫瑞, Jar 《罐》, circa 1930
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Shoji Hamada 濱田莊司, Bottle vase 《瓶子》, Undated
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Brian Wall 布萊恩.沃爾, Untitled《無題》, Undated
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Alfred Wallis 阿爾弗雷德.沃利斯, Black Boat with Fort 《有砲台的黑色船隻》, 1935
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Bryan Wynter 布萊恩.溫特, Freshet《春汛》, 1959
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Bryan Wynter 布萊恩.溫特, Firestreak I《火光 I》, 1960